You know?” He continues, “Those two things…actually, was probably more dangerous than Big.
“Like, Pac had the power to infuse your emotional thought, like ‘ A Baby,’ ‘Dear Mama,’ but then he had the power to arouse the rebel in you. Once again-immaculate voice, but what Pac had, I think, was a way of touching us in all of our emotions,” RZA explains. Little Shawn Describes The 1994 Tupac Shooting & Insists He Was Not Involved (Video)
“You gotta think, once again, he’s doing all this he’s not even 25 years old.” If you go back and listen to his music, you can take his voice and put it on anything, and for some reason, it sounds like a record.” He praises Christopher Wallace’s lyrical ability. a dope lyricist, I think he had a voice that was really immaculate-in a sense that some rappers get on top of music, and you’ve got to get used to them or you got to vibe with them, but he made a record that sounds like a record immediately. But just as a fellow artist, I think not only was B.I.G. So I don’t know if I’m the authority to answer it, but I’ll just speak my piece on it, and maybe I can just add on-’cause I’m sure there’s a lot of people who spent a lot of time with them that could speak on it. At 21:45 (embedded below), Fridman asks his guest what made Tupac and Biggie special within the lens of music history. In an interview with Lex Fridman, RZA is asked to compare Pac and Biggie. The Abbott produced “Long Kiss Goodnight” from Biggie’s diamond-certified double-album Life After Death, a song that many Hip-Hop Heads interpreted to be one of the Brooklyn, New York MC’s responses to Pac-even after Shakur was fatally shot several months before the Bad Boy Records release. Wu-Tang Clan’s RZA was a contemporary of both Tupac Shakur and The Notorious B.I.G.
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